This Place Silk Scarf
Regular price$395.00
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Tax included.
Size chart
Compared to other brands
| Ngali | Size 1 | Size 2 | Size 3 | Size 4 |
|---|---|---|---|---|
| ASOS | 10 | 12 | 14 | 16 |
| Country Road | 8/XS | 10/S | 12/M | 14/L |
| Jac & Jack | S | M | L | XL |
| Saba | 8/XS | 10/S | 12/M | 14/L |
| Scanlan Theodore | 8/S | 10/M | 12/L | - |
Size conversions
| Ngali | Size 1 | Size 2 | Size 3 | Size 4 |
|---|---|---|---|---|
| Australia | 8-10 | 10-12 | 12-14 | 14-16 |
| USA | 6 | 8 | 10 | 12 |
| UK | 8 | 10 | 12 | 14 |
| Europe | 36 | 38 | 40 | 42 |
| Japan | 9 | 11 | 13 | 15 |
- Worldwide shipping
- Low stock - 4 items left
- Backordered, shipping soon
Elevate your accessory game with this stunning silk scarf. Offering endless styling possibilities including as a scarf/skirt or sarong.
Crafted from ultra-soft silk, this scarf drapes beautifully and feels incredible against the skin. It’s a timeless accessory that effortlessly transitions from season to season, providing both tactile comfort and sophistication whatever the season.
The scarf is a wearable piece of art with the print authentically translated, with permission, of First Nations Australian artwork. The print preserves the artist’s original textures and details, creating a truly unique, high-end accessory that lasts the passing of time.
92% Double Georgette Silk 8% Elastane
180x100cm, Printed on Double Georgette Silk, Hand-rolled edges.
Swing tag features the story of the artist.
Gija man, Lindsay Malay works from the Warmun Art Centre, located 200kms outside of Kunnannura in the Kimberley, Western Australia. Warmun is renounced for its artists' use of natural ochre and pigments to denote a contemporary expression of Country and culture and its reputation is felt both nationally and internationally due to the calibre of highly successful artists in the community.
Lindsay's work is vibrant and transfixing, telling the story of Warlawoon, the Country he inherited from his Grandfather and of which his family regained traditional ownership of in 2010.
